Contemporary Aesthetics<\/a> encourages inclusive and innovative aesthetic inquiry.<\/span><\/p>\n Current volume includes:<\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n <\/p>\n Contemporary Aesthetics encourages inclusive and innovative aesthetic inquiry. Current volume includes: Frederic Will Can We Get Inside the Aesthetic Sensibility of the Archaic Past? Maryvonne Saison “The People Are Missing” Thomas Leddy The Aesthetics of Junkyards and Roadside Clutter Emmanouil Aretoulakis Aesthetic Appreciation, Ethics, and 9\/11 Dan Disney Toward a Poeticognosis: Re-reading Plato’s The Republic via Wallace Stevens’ “An Ordinary Evening in New Haven” Jonathan Davis Questioning “The Work of Art in the Age of Mechanical Reproduction”: A Stroll around the Louvre after Reading Benjamin Grant Tavinor Definition of Videogames SYMPOSIUM: Danto’s The Transfiguration of the Commonplace Twenty-Five Years Later Ivan Gaskell The Riddle of a Riddle Thomas E. Wartenberg Not Just Mere Things Cynthia Freeland Danto and Art Criticism Arthur C. Danto Ontology, Criticism, and the Riddle of Art Versus Non-Art in The Transfiguration of the Commonplace<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"ngg_post_thumbnail":0,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[278,3,96],"tags":[362,364,361,360,363],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-art","category-philosophy","category-research","tag-art-criticism","tag-art-in-the-age-of-mechanical-reproduction","tag-contemporary-aesthetics","tag-journal","tag-ontology"],"aioseo_notices":[],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/pzkzw-2M","jetpack_likes_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/posts\/172","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/comments?post=172"}],"version-history":[{"count":3,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/posts\/172\/revisions"}],"predecessor-version":[{"id":5599,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/posts\/172\/revisions\/5599"}],"wp:attachment":[{"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/media?parent=172"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/categories?post=172"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/wp-json\/wp\/v2\/tags?post=172"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}\n\n
\n Frederic Will<\/span><\/span><\/td>\n Can We Get Inside the Aesthetic Sensibility of the Archaic Past?<\/span><\/span><\/td>\n<\/tr>\n \n Maryvonne Saison<\/span><\/span><\/td>\n “The People Are Missing”<\/span><\/span><\/td>\n<\/tr>\n \n Thomas Leddy<\/span><\/span><\/td>\n The Aesthetics of Junkyards and Roadside Clutter<\/span><\/span><\/td>\n<\/tr>\n \n Emmanouil Aretoulakis<\/span><\/span><\/td>\n Aesthetic Appreciation, Ethics, and 9\/11<\/span><\/span><\/td>\n<\/tr>\n \n Dan Disney<\/span><\/span><\/td>\n Toward a Poeticognosis: Re-reading Plato’s The Republic<\/em> via Wallace Stevens’ “An Ordinary Evening in New Haven”<\/span><\/span><\/td>\n<\/tr>\n \n Jonathan Davis<\/span><\/span><\/td>\n Questioning “The Work of Art in the Age of Mechanical Reproduction”: A Stroll around the Louvre after Reading Benjamin<\/span><\/span><\/td>\n<\/tr>\n \n Grant Tavinor<\/span><\/span><\/td>\n Definition of Videogames<\/span><\/span><\/td>\n<\/tr>\n \n <\/td>\n SYMPOSIUM: Danto’s The Transfiguration of the Commonplace<\/em> Twenty-Five Years Later<\/span><\/span><\/td>\n<\/tr>\n \n Ivan Gaskell<\/span><\/span><\/td>\n The Riddle of a Riddle<\/span><\/span><\/td>\n<\/tr>\n \n Thomas E. Wartenberg<\/span><\/span><\/td>\n Not Just Mere Things<\/span><\/span><\/td>\n<\/tr>\n \n Cynthia Freeland<\/span><\/span><\/td>\n Danto and Art Criticism<\/span><\/span><\/td>\n<\/tr>\n \n Arthur C. Danto<\/span><\/span><\/td>\n Ontology, Criticism, and the Riddle of Art Versus Non-Art in The Transfiguration of the Commonplace<\/em><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"