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{"id":172,"date":"2008-07-01T18:19:58","date_gmt":"2008-07-01T15:19:58","guid":{"rendered":"http:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/?p=172"},"modified":"2016-01-12T21:11:05","modified_gmt":"2016-01-12T19:11:05","slug":"contemporary-aesthetics-2008","status":"publish","type":"post","link":"https:\/\/xylem.aegean.gr\/~modestos\/mo.blog\/contemporary-aesthetics-2008\/","title":{"rendered":"Contemporary Aesthetics (2008)"},"content":{"rendered":"<p><span style=\"font-size: x-small; font-family: Verdana,Arial,sans-serif;\"><a title=\"Contemporary Aesthetics\" href=\"http:\/\/www.contempaesthetics.org\" target=\"_blank\">Contemporary Aesthetics<\/a> encourages inclusive and innovative aesthetic inquiry.<\/span><\/p>\n<p>Current volume includes:<\/p>\n<table style=\"margin-top: 9px; height: 550px; width: 392px;\" border=\"0\" cellspacing=\"0\" cellpadding=\"4\">\n<tbody>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Frederic Will<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Can We Get Inside the Aesthetic Sensibility of the Archaic Past?<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #3  ends here. ** --> <!-- ** Article line #4  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Maryvonne Saison<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">&#8220;The People Are Missing&#8221;<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #4  ends here. ** --> <!-- ** Article line #5  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Thomas Leddy<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">The Aesthetics of Junkyards and Roadside Clutter<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #5  ends here. ** --> <!-- ** Article line #6  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Emmanouil Aretoulakis<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Aesthetic Appreciation, Ethics, and 9\/11<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #6  ends here. ** --> <!-- ** Article line #7  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Dan Disney<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Toward a Poeticognosis: Re-reading Plato&#8217;s <em>The Republic<\/em> via Wallace Stevens&#8217; &#8220;An Ordinary Evening in New Haven&#8221;<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #7  ends here. ** --> <!-- ** Article line #8  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Jonathan Davis<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Questioning &#8220;The Work of Art in the Age of Mechanical Reproduction&#8221;:  A Stroll around the Louvre after Reading Benjamin<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #8  ends here. ** --> <!-- ** Article line #9  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Grant Tavinor<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Definition of Videogames<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #9  ends here. ** --> <!-- ** Article line #10  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">SYMPOSIUM: Danto&#8217;s <em>The Transfiguration of the Commonplace<\/em> Twenty-Five Years Later<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #10  ends here. ** --> <!-- ** Article line #11  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Ivan Gaskell<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">The Riddle of a Riddle<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #11  ends here. ** --> <!-- ** Article line #12  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Thomas E. Wartenberg<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Not Just Mere Things<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #12  ends here. ** --> <!-- ** Article line #13  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Cynthia Freeland<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Danto and Art Criticism<\/span><\/span><\/td>\n<\/tr>\n<p><!-- ** Article line #13  ends here. ** --> <!-- ** Article line #14  starts here. ** --><\/p>\n<tr height=\"16\">\n<td width=\"188\" height=\"16\" align=\"right\" valign=\"top\"><span class=\"Apublished\"><span class=\"Apublished\">Arthur C. Danto<\/span><\/span><\/td>\n<td width=\"364\" height=\"16\" align=\"left\" valign=\"top\"><span class=\"Tpublished\"><span class=\"Tpublished\">Ontology, Criticism, and the Riddle of Art Versus Non-Art in <em>The Transfiguration of the Commonplace<\/em><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p>Contemporary Aesthetics encourages inclusive and innovative aesthetic inquiry. Current volume includes: Frederic Will Can We Get Inside the Aesthetic Sensibility of the Archaic Past? Maryvonne Saison &#8220;The People Are Missing&#8221; Thomas Leddy The Aesthetics of Junkyards and Roadside Clutter Emmanouil Aretoulakis Aesthetic Appreciation, Ethics, and 9\/11 Dan Disney Toward a Poeticognosis: Re-reading Plato&#8217;s The Republic via Wallace Stevens&#8217; &#8220;An Ordinary Evening in New Haven&#8221; Jonathan Davis Questioning &#8220;The Work of Art in the Age of Mechanical Reproduction&#8221;: A Stroll around the Louvre after Reading Benjamin Grant Tavinor Definition of Videogames SYMPOSIUM: Danto&#8217;s The Transfiguration of the Commonplace Twenty-Five Years Later Ivan Gaskell The Riddle of a Riddle Thomas E. Wartenberg Not Just Mere Things Cynthia Freeland Danto and Art Criticism Arthur C. Danto Ontology, Criticism, and the Riddle of Art Versus Non-Art in The Transfiguration of the Commonplace<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"rop_custom_images_group":[],"rop_custom_messages_group":[],"rop_publish_now":"initial","rop_publish_now_accounts":[],"rop_publish_now_history":[],"rop_publish_now_status":"pending","ngg_post_thumbnail":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[278,3,96],"tags":[362,364,361,360,363],"class_list":["post-172","post","type-post","status-publish","format-standard","hentry","category-art","category-philosophy","category-research","tag-art-criticism","tag-art-in-the-age-of-mechanical-reproduction","tag-contemporary-aesthetics","tag-journal","tag-ontology"],"aioseo_notices":[],"aioseo_head":"\n\t\t<!-- All in One SEO 4.9.8 - aioseo.com -->\n\t<meta name=\"description\" content=\"Contemporary Aesthetics encourages inclusive and innovative aesthetic inquiry. 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